Search

postmodernfamilyblog

Multigenerational Mom Muses on Twin Toddlers & Twenty-Something Daughters

Category

memories

Layer Cakes and Legends: My Apocryphal Appalachian Roots

Today I baked up a blackberry jam cake — a triple layer one, coated in caramel, and dusted in roasted pecans. And for some nutty reason, it reminded me of my grandmother.

Not because she used to bake blackberry jam cake. (She didn’t.) Nor because she loved to bake at all. (She didn’t.) There was only one cake she ever made, and she made it every fall for Thanksgiving — a German Chocolate Layer Cake, triple-stacked to heaven and beyond. It defied natural laws.

Baking my own triple layer cake this morning somehow conjured up my grandmother’s spirit. Out of nowhere, a warm fragrant memory slipped in — a peppery whiff of Scotch snuff amid baking layers — and I was instantly transported back. Back into the warm half-circle spotlight of her bifocals, where she peered up at me with love and adoration… and then demanded I write down a select few of her stories.

Yup. Demanded. And Grandma always gets her way — even from beyond the grave. (Compromise was never her middle name.)

And she really was quite the storyteller — I like to think that’s where I get my passion for words — and her tales were always tall. As impossibly tall as her German Chocolate Layer Cake.  She told some doozies, but there was always truth in the pudding, er, batter… batter thick and sweet and loaded with flavor.

Her stories infused every room in her small house. They found you in every corner. You couldn’t escape them. Through the darkness of night, she was sitting on your mattress while you slept, telling you a story.  Through the closed bathroom door, you were sitting on the toilet while you shat, she was telling you a story. No exaggeration.

Her stories were a never-ending narrative. I’d heard them a thousand times. I thought I could recite them backwards. They were a constant. Like a beating heart. Always there. Always.

Until they weren’t.

I took them for granted. I tuned them out. I never wrote them down. I really wish I’d recorded them, old cassette ribbon winding like stretched caramel from one receptacle to another to help me transcribe her words from one era into another, today. Alas, I did not.

But this past summer, my family celebrated her oldest son — my Uncle Pal’s — 80th birthday. My two aunts and my father were there, too, rounding out her initial genetic contribution to this world.

The four sat atop a green, overstuffed sofa and held court, flipping through old pictures and regaling the second and third generations with Grandma’s tales of our Appalachian roots.

peters

Most of the stories I recalled immediately… their familiar cadence returning to me like skip rope chants learned in my childhood:

My grandma the buxom beauty — her breasts swelling so large when she contracted mumps at twelve that they never returned to what she considered a respectable size. She and her sister Margaret would mash them tightly in scarves, trying to achieve the ideal body image of her age — flat-chested flapper girl — to no avail.

grandma

My grandma the axe murderer — her one and only victim, a Harley Hog my dad bought knowing she hated them. Her brother had almost died on one; her son would not have the same opportunity. The Hog died instead, a quick, violent death from hatchet-strike to the fuel tank. Dad wept as his full-fendered baby girl bled out in front of him… the original chopped Harley.

My grandma, the exile — sent in her early twenties to country music legend Mama Maybelle Carter’s house, her childhood friend and neighbor. My great grandfather sent her away to keep the clambering boys away from the self-proclaimed prettiest girl in five Virginia counties. (Humility was also not her middle name.) Grandma spent an entire summer dancing the Charleston, little June Carter running between her flashing legs while Mama Maybelle scratched her guitar.

IMG_1149

Keeping Grandma away from the boys worked for a while, but she finally managed to run off and marry the love of her life at the ripe old age of 25 — an old maid by Appalachian standards. Grandpa was years younger than she was, also unheard of in that time period.  (I guess I get that from her, too.)

My aunts and uncle also told us a few tales I’d maybe heard, but had long since forgotten.

Like the seven-foot tall distant relative named Pleasant who was so small when he was born they could fit his head in a tea cup, and who slept in a Singer sewing machine drawer next to his parents’ bed. Pleasant grew up to be large and in charge, and was famous for once throwing a man out a second-story speak easy.

I also heard about an ancestor who, at 98-years young, could stand and do a somersault in the air. Backwards. That’s a back tuck, by the way. Cheerleaders drool for that kind of skill. He could do it at 98. Unfortunately, no one remembered his name.

But a whole lot of other names were remembered in my uncle’s living room this past July — names summoned from my grandmother’s looping cursive, scrawled in her black-papered memory book. Names like Viney and Velma, Tom and Tate, Willie and Chapman, and Emmy and Spencer, and Pleasant, of course. (I kind of wish I could have another kid, simply so I could name him or her Pleasant. No, scratch that. I’ll leave that up to my girls…)

Those names, written in Grandma’s looping penmanship, lassoed us all and pulled us back — back to our childhoods and beyond. Back to the crags and coal of the Virginia mountains. Back to the looping, sprawling deep-settled roots of our family tree.

The tree itself juts high and strong these days, with limbs spread far and wide. From London to Phoenix, her descendants are scattered like leaves in haphazard drifts of color and contrast in a beautiful, autumnal haze. We, indeed, have a glorious family tree. And her stories — our stories — deserve to be told.

* * *

Yes, today I baked up a blackberry jam cake — a triple layer one, coated in caramel, and dusted with roasted pecans. And for some nutty reason, it conjured my grandma, who channelled my fingers and hijacked my blog  — to write about an Appalachian beauty with a penchant for layer cake and a story or two thousand to tell.

My guess is, she isn’t quite done with me yet.

Fear and Self-Loathing in Lost Places

I recently discovered a little demon that had hidden itself away in my cells, quietly waiting for the perfect time to rear its ugly head and wreak havoc on my heart. It birthed itself during a quick, two-hour road trip a couple months back.

I thought that demon was long dead… thought nothing I heard about my past could do much damage anymore. I was wrong. Turns out, the demon wasn’t dead, just dormant. And turns out, it could still do a helluvalot of damage.

Ever since, I’ve been working my way through a very hard memory…

Memories. They’re never photographic and never completely accurate. They’re fuzzy and fragmented and colored by our own personal perceptions and perspectives.

This one, I kept buried for a long time. But it bubbled and bloomed under the surface. Time softened it… but in a furry, moldy, sordid, slimy sort of way. But the time has come for it to be dug up. Time to bring it into the light, dry it out, turn it to dust, and blow it away.

And y’all, I’m not talking metaphorical demons here. I was a sixteen-year-old junior when I was told I was demon-possessed.

Now I was a far-from-perfect child. I had a major crush on the butterscotch boy next door; I was writing mysteries with teenage girls with plunging necklines and music minister murderers; and I was failing my Algebra II class. But I’m pretty sure I wasn’t demon-possessed. At least, not until that night.

I recall standing in a marble entryway with a bathrobe on my lanky frame and a chip on my shoulder. To my right was a still life painting of cream roses in a shadowy vase. To my left were double oak doors, locked. Before me, my accuser, arms crossed, eyes blazing, telling me the devil was in me. Telling me I was going straight to hell.

That night, a pervasive demon of fear and self-loathing tangled itself up with my youthful defiance and climbed through the dilated pores of my freshly showered skin. To avoid my accuser’s red glare, I focused on the still life instead — the gold ochre roses captured in a burnished vase. Crashing waves of Prussian Blue smashed mercilessly into and around them. Petals broken and fallen. Plunged into oily darkness.

My accuser would remember the scene differently, I’m sure. Would remember the wayward daughter with the rebellious streak and the raging desire. The girl consumed by fire. The girl caught up in the ways of the world. The world caught up in the girl. She needed purging in the worst sort of way.

Funny thing about memories… two people remembering the same incident can have two entirely different accounts of what happened. And it doesn’t make either account less true.

With really difficult memories, the differences and disparities reveal the differences and despair in each individual. And each of us felt them… profoundly.

The facts are straightforward; the truth is not.

The fact is my parents were doing what they absolutely thought best. The fact is they did their best to raise me. The fact is they knew the world to be a dangerous place. The fact is they submerged all of us in strict doctrine and stern dogma to save us.

And the fact is I was a far-from perfect child. I was headstrong and fighting for my life. I did my best to escape them and the cult of domesticity they were raising me in. And I did. I escaped with my newly-planted demons of fear and self-loathing, with an ample serving of defiance, and I went to live with my guardian angel grandmother.

They did their best. And so did I. Those are the facts.

But the truth belongs to each individual — and we are all colored by our pasts. By our truths. And our demons. Even my father.

He confessed to me on that two-hour drive how sorry he was that he sent me to live with my grandmother.

… he was sorry for burdening her heart at her advanced age with a rebellious teenage girl.

Shame and guilt overwhelmed me. That demon of tangled up fear and self-loathing, tinged with teenage defiance tore through my gut in a blaze of ungodly glory. And it refuses to leave.

But then today I found some hope. I read a chapter from Jen Pastiloff’s On Being Human, called, “Rewrite Your Story: Memory Lost and Found.” It focuses on facing and excising your demons. Denouncing them as liars.

I took it as a sign. Especially after I soon found this little gem: “Don’t die with your music still inside of you.”

So I decided to write out my memory and sing out my sorrow. This demon is no longer allowed to hang out as a devil inside.

So I hope someone out there is listening. I want to be absolved. I need to be absolved. And I want to help absolve others. Because Toni Morrison, the greatest writer of our time, once said something I believe in wholeheartedly: The function of freedom is to free someone else.

I kept her quote taped to my writing desk for years. And now I keep it stapled in my soul.

Today, I share my memory, my song, and my freedom. And I beg you to share yours too.

Share your truth and be saved from the devils breeding somewhere deep in the darkness of your past.

Cockadoodle Carnage and Bathtub Baptism

I was baptized in a bathtub. The exact same tub that housed the sinewy corpses of dozens of elderly, free-range chickens just one week before.

By this time, our family had moved into a new house in a decent neighborhood — nary a naked hippy or homeless grad student to be found. Plenty of drunks though. It was the era of the cocktail hour, after all.

Ours was a yellow split level, with redwood deck and screened porch and a crawl space just big enough to lock away our Llewellyn Setter, Belle — the second-best quail dog who ever did live. When she wasn’t in heat.

When she was in heat, she was an infernal creature chained inside the crawl space, where she commenced to fumigate the entire house with ripe, gamey smells that drove my mama half-crazy. No amount of Spic and Span could rid the house of that stench.

But back to the cockadoodle carnage and bathtub baptism…

Daddy decided one day that poultry production would be an economic way to feed his evangelical, not-a-cult-yet, bible-study group. That, and he could trade rough-hewn fence posts for a couple hundred Plymouth Rock hens, so why not?

As a newly-ordained shepherd in the Discipleship Movement of the 70s, he took his duties seriously. And one of those duties was to provide for his flock. We had a newly-planted victory garden with acres of okra and peas. And now we had chickens.

Let me tell ya, physicists have no business playing farmer. And in this tale, there are TWO physicists… my dad and his fellow Ole Miss faculty member, Dan. (We’ll call him Dan because he was a no-nonsense Yankee with clipped vowels from Michigan State, so Boaz or Silas as a scriptural pseudonym just never would fit.) So, Dan it is.

Now this was a cockamamie scheme (wink, wink) from the get go, for all sorts of reasons. First off, these were some tough old birds — Methuselah-old in chicken years. To say they were ready for the Purina pet food factory would NOT be an exaggeration. That, plus the fact Daddy didn’t have the proper equipment to butcher and clean poultry were just two reasons.

But a man who understood alpha particles and chaos theory wasn’t gonna let a bunch of chickens get the best of him. So he gathered up his meagre-but-eager flock of neophytes and in no time, they’d assembled a paltry little poultry production line:

  • machete
  • canning pots
  • table for plucking
  • buck knife
  • bathtub

The carnage began in the backyard. It was like Salome and John the Baptist out there — chickens losing heads right and left — with a particularly large and gregarious gentleman wielding the machete. We’ll call him Rufus because, well, he had red hair and lived in a trailer park, so it suits him. That, plus he’s the hunter who taught Daddy to pop off quail heads and feed them to Belle as her point-and-retrieve reward. (The ensuing belches rivaled Hell’s sulfurous fumes.) If a red-haired, trailer-park-living, bird-dog loving southern man ain’t tailor-made for the name Rufus, I don’t know who is.

Back in the kitchen, Daddy baptized the newly-headless chickens in 20-qt speckled enamel pots chock full of rapidly boiling water. (He was always looking to dunk somebody, so this was great practice.) The birds got two minutes each, just prior to plucking. No more. No less. Too long, boiled flesh. Too less, torn breasts.

The plucking came next. In the hallway. With a dagger. (Not really. I just couldn’t pass on the Clue allusion …). But it really did happen in the hallway, only with bare hands.

It was a sticky, heinous job. Rufus (after making mincemeat of the machete business) and Dan-the-physics-man found themselves covered top to toe in soaking-wet, blue and black and white and silver feathers. They looked like fish with fluffy scales. Or Harpies.

Harpies are typically half-bird, half-female creatures, but travel back to Oxford in the summer of ’76 and you’ll find two of the male variety, squatting over a table, fingers puckered from plucking, lashes dripping with downy detritus — one well over six feet; the other, not-so-much.

Last on the production line, the newly-naked corpses were tossed upstairs to the bathroom, where they lost their innards and feet at the hands of Hiram — a former Vietnam chopper pilot. Entrails were dropped in orange paint buckets, birds in the ice-filled tub.

Where they were left in waiting on the womenfolk.

The women were charged with dissection — 200 cadavers at ten pieces each. No small undertaking. Even with steel buck knifes. And once the dismemberment was final, the job was far from over.

Those chickens had come to a sticky end. And my mother soon found herself in the STICKIEST of situations.

Here’s a little-known chicken butchering fact (at least for physicists-turned farmers): If the fatty scent glands of a chicken aren’t excised properly, they leech a stinky, oily grease.

And these weren’t. So these did. All over Mama’s gold fiberglass tub/shower combo…

The clean-up was monumental. Exxon Valdiz monumental. No way Dawn Dishwashing Liquid was taking that grease out of her way. It stucketh to that tub closer than a brother.

Second little-known chicken butchering fact: fatty scent glands are the mark of Cain. They are made of impenetrable stuff.

My mama scrubbed her fingers raw. That grease still probably lingers to this day, haunting all past, present and future tenants.

Which brings us to our baptism side of the story on a Saturday evening a week or so later… when this narrator was washed in the blood of the lamb — and the oil of the fatty scent glands of two-hundred plymouth rock poultry.

I had just walked down the aisle as a junior bridesmaid and is a day that will forever live in fondness and infamy.

For the wedding, I wore a dotted swiss, lemon yellow dress with square neck and white rick rack. The collar just highlighted the tiny raised mole above my right breast — along with my burgeoning need for a training bra.

Those sprouting acorn-sized lumps must’ve constituted an emergency. That, plus the strawberry lip gloss the bride smeared across my mouth like a Sodomite stain…

Whatever the prompting, I found myself sitting in a tub full of water in a scooter skirt and tank, Daddy praying fervently over my soul.

I’m sure I looked wild-eyed and mortified.

I’d attended baptisms before, but never my own. And always at the riverside. Never tub-side. Where was the murky water? The threat of cottonmouth nests? The promise of fried chicken and RC Cola after? This felt all wrong.

Rufus, Hiram, and Dan made it the requisite Two-or-Three-Or-More-Are-Gathered-in-my-Name official. They sang a slightly off-tune “Let’s Go Down to the River to Pray,” which calmed me. A little.

Until Daddy dunked me.

At ten, I was a long-legged filly (maybe another reason Daddy decided he could tary not one second more), so I’m not entirely certain my knobby knees made it under. Which is worrisome. Because it’s total dunk or no deal in Daddy’s nondenominational eyes. On sprinkle or pour, he casts aspersions.

But my noggin knocked fiberglass, of this I know. So here’s hoping it stuck.

I know the grease from the 200 fatty scent glands of the Plymouth Rock hens stuck. My hair had enough oil to light the lamps of the ten virgins in the parable for perpetuity.

I was one prepared virgin, at least. I know this much is true…

(And as for those chickens… chewy and tough as Methuselah’s boots. All Mama could do was grind them down to chicken salad — with a wallop of Duke’s mayonnaise and a half-a-patch of dill weed, you could still taste those fatty scent glands.)

The Writing Process: Fishing Serendipity and the Swampland to Serve up Batter-dipped, Panfried Truths

There’s this weird feeling I get sometimes. Like someone has hit a tuning fork — but the tuning fork is my body. And it rings and vibrates. Like a silver spoon hitting chilled stainless. Like ice hitting back molars. Like wintergreen hitting my veins. And the one hitting the tuning fork is the universe. Is God, if you will.

I feel awake and alive and almost raw.

So I go to my computer and I dive into the current of serendipity’s stream. And I pay really careful attention.

Words swirl around me, boomerang back at me like white water rapids. They carry me, roll me, drive me forward. The universe is in charge, and I am on a wild ride. Where I’m going is out of my hands – but I know I’m on the right track.

So I swim. Hard. And fast. To stay inside that current. Not sink beneath it.

Because the universe has given me a gift — it has given me a path and a process. But it has expectations. It has demands. And those demands are rigorous. They are… well… demanding.

This current will take me to my goal, but only with a whole lot of work.

So work, I do. At first I’m cold and rusty, and my mind misfires. A lot. But I remind myself I’m trained for this. I can do this hard thing. I am prepared. And so I just keep kicking, doing my best to stay afloat and follow directions as the words swirl around me, bump up against me.

Inside the current, my mind warms, loosens — perhaps even unravels a bit – allowing flexibility and vision and a bit of slack to reel in the difficult bits, the hard bits. Of life. Particularly, my life. My past.

Because the hard and difficult bits require a whole lot of slack — lest I get too wound up, too tense, and then break the line and lose the way, the truth, and the life. My way. My truth. My life.

Barbara Kingsolver once stated that “memory is a complicated thing, a relative to truth, but not its twin.” And I totally get it — especially when the memory itself is incredibly complicated, when the truth you are recording — the twisted religion of your formative years — was itself a relative to truth, but not its twin. Maybe not even the same family… or neighborhood. But definitely the same region. My truth fits within the region — the southern region, that is.

The South — where truths become memories, loosely maintained, that become yarns, wildly spun, that become tales, twisty and gnarled.  Where truths become monstrosities.

Here in the land of Faulkner and Flannery, we drill holes in mama’s coffin (and right on through to her face) so she can breathe in the hereafter. We have kinky morticians and corrupt bible salesmen and Presbyterian ax vigilantes. We have deaf mutes and hunchbacks and dwarves – oh my! All so we can safely unearth the darkened roots of our deep-seated insecurities.

Here in the South, we love a little batter on our vegetables and a little gothic on our histories. Sure, maybe raw is better for you – but they taste so much better in a solid bath of debauchery and a heavy dusting of sin. (Minimalist, we are not!)

It’s as much about embellishment as it is about fact here. We hide our tender bits inside hyperbole and the grotesque. The crazier the tale, the deeper the truth.

For me, swimming serendipity’s stream may begin with the exquisite chill of a spoon hitting stainless, but it never fails to dump me where stainless will always fall victim to stain: childhood and the fears and tears that form its fecund swamplands.

The water there is brackish and foul with trash and monsters. Monsters ready to be raised from the near-dead. Demons with watermelon rinds for smiles. Disciples with oily words and cardboard hearts.

I land there each and every time. And after I catch my breath and adjust to the temperature change, I dredge the swamp.

And as the silt and sludge swirls, I bring in my haul — words writhing and thick with hard muscle, slippery sinew, scaly gill. They emerge slowly, but in netfuls, tangled and twisted. Words glinting with a thousand splendid refractions, bending and contorting in the light. Piercing.

I capture them all by capturing my past. Finding the way and the truth from my life.

My biggest and most-tangled of truths thus far — a Pentecostal pastor’s circumcised daughter — flesh faulted and excised amid great ceremony and pain. She emerges from the darkness demanding her reckoning. She flips silver on my screen.

She is forged from the cold steel of serendipity’s stream, humming with the frequency of the tuning fork. The chill of wintergreen hangs in the air… along with the sweetness and rot of the swamp.

I gut her and clean her. I batter-dip her in admonition and intuition and the blood of the Lamb. I sear her on tongues of flame. I lay her on a slaw of shredded scripture. And I serve her up to the world.

+ + +

In the beginning was the word.

And the word was made flesh and dwelt among us — howling to be heard. To be seen. To be known.

Ex nihilo.

 

When Your Brain is a Blind Bag of Memories and Nightmares… You Never Know What You’ll Unwrap

The birthday cards would arrive the third week of May, sporting shaggy puppies or calico kittens waiting patiently in the heated darkness of the mailbox for me to find them.

Mom would scarcely have pulled in the driveway before I was yanking at the bulky sliding door of our VW bus, struggling with its weight, Mom yelling for me to wait. Wait!

She’d already broken a finger on that door – caught it inside the hinged, angry teeth of the latch. That door needed a whole lot of momentum to get started and even more force to stop it — mere flesh and tendon and bone wouldn’t do it. Mom’s finger, to this day, is crimped in the pattern of its wrath.

That door was unforgiving, but I was undeterred.

And disobedient.

I risked a tanned hide and functioning fingers to break free. Because those cards were special. I never got mail. Or at least, I never got mail from anyone other than her.

And they always arrived promptly that third week of my birthday month, right along with the humidity and Maypop blooms.

The grass would be high by then, my professor dad too wrapped up in final exams to pay it the proper attention it deserved. Gypsy, our mare, did her best to manage the bounty of the yard. Staked in the center like the point of a compass, she wandered in ever-widening circles, fringing the fragile new grass with her wide, yellow teeth. She left half-moon pressings from her hooves, pressings that snapped and lifted like a jerky time-release film as she moved on.

Back in the pasture behind our house, the land was pocked with her hoofprints, half-moons and crescents scattered in muddy galaxies, hardening as the sun waxed hotter toward summertime.

Back up front, horse-flies buzzed angrily, eyes bulging, mouths working greedily at Gypsy’s flanks. (I recently learned that only the female horse-flies bite. They saw and hack at flesh – leaving a slurry of blood and disease in their wake – all in an attempt to nurture the next generation.) I raced obliviously past the feeding frenzy toward the dusty mailbox at the side of Molly Bar Road.

It wasn’t just the cards that excited me. It was what was inside them that I couldn’t wait to see. One year, it had been a single stick of Fruit Stripe gum, another, a crinkled packet of Kool Aid.

It was the 1970s version of “blind bags” – those infectiously addictive foil-wrapped surprise packs the boys beg for every time we’re in the checkout line at Target.

(My four-year-old boys call them wine bags. They have trouble with the bilabial “b” sound, which means I live in constant fear that DFACS will show up at my door one day because they announce to anyone within shouting distance that they love wine bags and they need more of them. Well, me too, boys. Me too.)

But I understand the fascination with the potential of a hidden surprise. Because even though there was never anything big or costly inside my 1970s version of a blind bag (and not in the present-day version either), I couldn’t wait to see what I would find.

So birthday cards filled with artificial fruit flavors — that was the memory that assailed my senses as I took a trip out to my mailbox this week to gather a couple of birthday cards.

But then another one slipped in… a murkier one… one of dim lighting and sticky lipstick and a loaded gun. Well, I really don’t remember the gun, just the gunshot. And maybe it’s not even a memory, at that. Maybe it was all a dream…

There are four memories that were dredged from the deep recesses of childhood this week — situations that have moldered themselves into inconclusive scenarios that may or may not have actually occurred. One involves the birthday cards and artificial fruit flavors. Another involves the lipstick and gunshot. A third, a rabid pack of Rottweiler dogs. A fourth, a ride in a garage lift while a mechanic changed our oil.

All are memories from my childhood past. Two are happy. Two are not. Two are dreams. Two are not.

I’ve already told you about the Fruit Stripe Gum and Kool Aid and birthday cards. That’s a good one.

So now let’s talk about that memory of the rabid pack of Rottweiler dogs (three of them — Cerberus un-conjoined and running free) chasing me through a gray forest smelling of decay, their barrel chests echoing with their howls, their canine teeth gleaming with their drool. I spill out onto a moonlit meadow with them close on my heels, and I stumble and am overcome. That’s not a good one.

And then there’s the memory of the inside of a professional garage, the smell of tires and oil, the sounds of engines revving and the clanking whirr of a lift. My sisters and I rise slowly above my mother, dressed in a pale lemon shift with white eyelet trim and the mechanic, dressed in green coveralls and grease. They are both laughing. That ones pretty darn good.

And then there’s the lipstick and gunshot memory. I recall an old chest – an old chest aged nearly to black with iron bands – or leather ones maybe – and we were hunkered down next to it. Until we weren’t. Until my mother gathered me and my middle sister up on her hips, our baby sister bouncing in amniotic fluid between us, and fled the scene.

… Maybe. Maybe there was no chest. Maybe there was no gunshot. But there was lipstick. I remember the lipstick. Lipstick dragged over porous flesh and caked into flaring nostrils. Lipstick slashed across high cheekbones and pressed over eyelids with pupils rolling wild underneath A fun-house-mirror-of-melting-clown-face… That one is anything but good.

This week, I stopped my own domesticated mom van (a Town & Country, not a VW — its teeth tamed via remote control and motion sensor) —  to collect my birthday mail. And when I did, a horse-fly buzzed in the periphery of my mind and commenced to sawing open a whole slurry of wholesome and diseased recollections: the taste of fruit stripe gum, the sound of creaking car lift, the feel of canine incisors, the sight of scarlet lipstick, and the smell of smoky gun shot.

I collected the mail and left the heat of the mid afternoon sun for the heat of the repressed memories busily snapping and lifting like a time-release film.

And I sat down to write what I saw…

Blog at WordPress.com.

Up ↑