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Kids Hate Language Arts. Can Reading and Writing be Resuscitated?

I have a passion for teaching English to high schoolers. A passion for seeing kids learn, seeing kids’ faces light up with understanding and excitement. Sadly, I see that light diminishing more with each passing year.

This week begins my 18th year of teaching English to secondary students. And every year, fewer and fewer students love to read. Heck, let’s get rid of the phrase “love to” and state the facts: Every year, fewer and fewer students read. Anything.

Or I guess I should qualify that statement — kids do read a little. And by a little, I mean memes. They’ll read something if it’s shorter than a sentence. And is paired with an image.

And they write that way too. Sentences are overrated. They want fragments, abbreviations, and emojis. That’s how kids communicate these days.

Which means my subject matter — literature and composition — is rapidly dying. It’s very nearly dead — and almost universally despised by my students. So I have a hard task in front of me, trying to save something most kids would love to see buried and gone.

On the first day of school, they are always so happy to brag to me about how much they hate English class. How they don’t read and they don’t want to. They once read a book in 7th grade, they’ll tell me when pressed, about some boy and a plane that crashed. “Hatchet?” I ask. “Yeah, that’s it,” they say. It’s the only book they’ve ever read. “Nothing since?” I whimper. They laugh. “Nope.” And my heart sinks. Every time.

How can I resuscitate a skill that far gone? Something that breathed — once — three years back and then flatlined, never to even be mourned?

We are in the era of smart phones and laptops. Kids don’t even watch television anymore. They watch their portable screens. And mostly quick, entertaining segments on YouTube. If it’s not quick, they won’t usually give it their time. And if it doesn’t grab their attention in the first 30 seconds, they’re hitting the search bar looking for something else.

Kids’ attention spans are jaded and fading. They want new, new, new and fast, fast, fast. And reading meets none of those requirements; writing, even less.

How do I, as an educator, compete in this fast and furious climate and culture?

Sometimes I worry that it’s just too late. That I simply don’t have the ability to raise Literacy from the dead. Indeed, the prognosis is bleak.

Case in point: my students from last year. I love them dearly, and I really believed that together, we’d made all sorts of progress. Now, I knew they weren’t out randomly picking up books instead of their iPhones, but I still thought I’d made some sort of impact. I thought they’d at least enjoyed the literature we read together.

But then I had a group of kids tell me a couple weeks back how much they hated To Kill a Mockingbird. Hated it.

And I wanted to cry. I failed them miserably. And I deceived myself in the process.

How can I remedy my failure? How can I bring the joy of reading and the art of writing back from the brink of death? Or is it already too late?

I know for a fact I can’t do it on my own. It’s impossible. Trauma surgeons have whole teams working in conjunction to keep their patients alive. From paramedics to ER docs to nurses to lab techs to anesthetists to surgical residents and attendings, everybody does their part, separately and together, to keep the patient from multiple system failure. Resuscitating literacy can’t all ride on me.

And it can’t all wait till it gets to me either. Fifteen years without a heart for reading is probably too late. Sure, I might find a feeble pulse in a couple of kids and nurture it back into a steady beat, but saving 2 kids out of 185 is not enough.

Nope, it’s got to be more and it’s got to begin sooner. It needs to begin at home. With parents and their babies.

Parents, read to your children. Read to them early — as newborns, even. It’s never too soon, I promise. Read them Goodnight, Moon. Read them The Grouchy Ladybug. Read them Green Eggs and Ham. And sing to them, too. Sing nursery rhymes. Sing The Itsy Bitsy Spider, sing The Wheels on the Bus. Heck, sing Baby Shark, if you dare.

But read to them, and sing to them, and foster in them the love of language.

Then, we teachers will keep it going — from preschool all the way through senior year and beyond. Together, we can foster lifelong readers and writers… and excellent communicators. This world needs these skills. Desperately.

It’s never too soon, but it can be too late.

Teaching English Composition: The Delicate and Demanding Job of a Voice Midwife

On dark days, I wonder why I blog.  Why I put myself through the peeling back of layer after layer of tender, hidden embryonic self-truths, exposing the fresh new bits to a cold, fickle world…

And no matter how much I tell myself it doesn’t matter whether my musings are acknowledged and well-received, it does. It matters a lot. Because everyone wants to be heard. Everyone wants to feel valued and validated. And when it doesn’t happen, it brings on floods of insecurities and self-doubt. Especially after the painful process of self-revelation.

It makes me question why I blog about my life at all? What do I have of value to offer up to the world? I’m not young and good looking. I’m not rich and famous. I’m no makeup expert or flashy fashionista. And I’m certainly not a ninety-something grandma in tie dye lingerie smoking weed and dancing the Charleston to gangsta rap. So why do I even think I can compete in this world of crazy gimmicks and material world wisdom? What the hell do I think I’m doing, blogging about my stuff — my boring, middle-aged mother stuff, the stomach bugs and family vacays and potty-training-woe-is-me stuff.

And hitting these dark, despondent days of doubt – these total eclipses of confidence, if you will — makes me consider my students. Because my paying job is teaching high schoolers to find and use their voices through literature and composition – and I take my job very seriously. And they despise me for it – particularly the composition part. They act like I’m tearing out their fingernails with a pair of needle-nose pliers, followed by a chaser of hydrochloric acid.

If you want to know what the shrieks belched out from the bowels of hell sound like, step into my classroom the morning I announce an essay assignment. Lord, the bellyaching.

And I get it. I honestly do. If it’s done right, writing’s a painful process. I’ve felt the needle-nose pliers and hydrochloric acid many times. But it’s also enlightening (which is precisely why it’s so painful) for both the writer and the reader. The more you write, the more you know – not about the world (though that happens too) – but about yourself. Who you are. What makes you tick and why. All sorts of unacknowledged truths claw their way to the surface when you write. It’s like you’re giving birth to yourself. So of course, that’s gonna hurt. Like, a lot.

But pain is this generation’s enemy. They run from it. They prefer high GPAs with minimal effort and zero pain. And I’ve discovered that quite often, that’s what gets served up. They hold out their tray, they get their perfect little A.

(I once had an AP student brag to me that in an honors English class she never once turned in a weekly journal assignment — what should have totaled 16 zeros on her report card — yet she still walked away with a 100 in the class. And naturally she adored that teacher. Why wouldn’t she? An easy A equals a happy student, happy parents, and therein, happy teacher.)

And this scenario is not that uncommon, folks. Teachers are not making their students write. Why? No pain — and pain-free seems to be the way of the world right now. Consider all the scheduled C-sections with full makeup and perfectly coiffed hair. (I know, I know… there are necessary c sections, I’m not saying there aren’t – I had one with the boys this last time around, but so many are simply the easy way out…)

But I’m here to tell you there are no scheduled c sections in my English class. My students are going to birth their ideas one painful quote incorporation at a time. But I promise you, when it’s over and done, it will be worth it. Birthing a voice is a beautiful thing. A beautiful, gut-wrenching thing.

But when we as teachers don’t require our students to go through that painful birthing process – or if we do, but then we don’t acknowledge that fledgling voice with commentary, both critical and complimentary — then we are teaching them that their voices don’t matter.

And we are teaching them that they can do absolutely nothing and succeed at life.

And neither of these is true. And I honestly don’t know which lie is worse, but as a person who’s been denied a voice when I was exactly their age, I tend to think it’s the first. Voice matters, people.

Like I said, I know what it feels like to believe my voice doesn’t matter — to feel pointless and small and ready to quit. To feel powerless.

But I don’t quit when I start feeling small and weak and ineffective because I have enough willpower and confidence, and I have enough love of self and craft to overcome the doubt. I have age and wisdom on my side, brought about by teachers and loved ones who believed in me.

But our students seemingly have none of these.

Our job as educators is to empower. By not having students write — or by requiring they do and then not grading their work — we teachers are failing our students. If the essays aren’t being evaluated and validated – if they are not receiving written commentary, if the students themselves are not getting the time and attention and INSTRUCTION they so deserve (and so many are NOT), then what exactly are we teachers teaching them?

We are teaching our students that they are not worthy of confidence and self-respect and a future. And the saddest part about this situation to me is that our students are okay with that. Because it is easier.

Writing papers is hard work. Grading papers is hard work. Taking a student from point A to point Z in a semester is hard work. But guess what? Education and educating SHOULD both be hard work. It’s a job. So we need to do the hard thing to the best of our abilities. All of us. Teachers and students alike.

This year, due to unique and unavoidable circumstances, I face a teaching schedule unlike any I’ve ever held before. I am teaching two separate courses (nothing new there), with two high stakes exams tied to each course at semester end (that’s the big stressor, here).

I am a bit overwhelmed, to say the least. It would be really easy for me to say that there is just way too much grading involved and way too many students to accommodate. That this is only a temporary schedule, so I’m simply going to coast my way through it all. I’m just going to give it a lick and a promise, keep the parents off my back, keep the kids happy with completion grades, and chalk it all up to doing the best I can under the circumstances.

But I would be doing myself and my students a disservice. And I’m not ok with that.

Because while these kids would be happy with their easy As — and all the accolades and scholarships and privileges that come along with them — that sort of teaching philosophy also gives them little to no true skill sets, no true self-respect, and no true future. And I refuse to do that. To them or to me.

I have an incredibly tough year ahead of me. And so do my students. Because they will write. And I will grade that writing. That’s my job as an educator: I am a voice midwife. I coax, cajole, demand, deliver. They are birthing their voices, their identities. It’s not easy. But nothing worthwhile ever is. And they and their voices are worthwhile.

So pardon me while I pick myself up by my ballpoints and crank out some commentary on the pile of newborn essays just screaming for some attention.

 

 

 

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